Transcription

Cloak And Dagger

There was admittedly some reluctance in picking up yet another World War II novel, but Kate Atkinson’s deliciously twisty Life After Life and its sequel (or companion piece as she called it) A God In Ruins, were such favourites that one could not resist a new book by her. And Transcription it turned out to be fast-paced, suspenseful and very readable.

The protagonist is 18-year-old Juliet Armstrong, who is newly orphaned, and hoping for a better life. She gets the excitement she wants, but not in the way she expected. She is suddenly summoned to the offices of MI5, Britain’s security services, to be recruited, along with several young women, including the aristocratic Clarissa. For reasons she cannot fathom, she is picked by the enigmatic and handsome Peregrine ‘Perry’ Gibbons to move in next door to a flat where fifth columnists (British Nazi sympathizers) have their secret meetings. They do not know that their handler, Godfrey Toby, is not the Gestapo agent that he claims to be, but an MI5 spy.

The walls of the flat have been fitted with recording equipment—even then the techie was a clever teen-- and Juliet’s job is to transcribe the tapes. It would have been terribly dull work, were it not for her infatuation with Perry, and her involvement with the more dangerous job of taking on the fake identity of the posh Iris Carter-Jenkins and infiltrating the circle of the traitorous Mrs Scaife.

Juliet discovers that not only does she have the imagination to fill in the blanks in the conversations next door, but also the courage to survive the lies, deceit, the cloak-and-dagger of the spy business. 

After the end of the War, when she is working on a children’s radio programme with the BBC, she suddenly runs into Toby, who refuses to recognize her. Characters from the past, that she thought she was done with when she ceased to be spy, tumble out, and she starts getting threatening letters (“you will pay for what you did”) and people following her. It turns out that the warning about the work of the secret service never getting over, was right.

Juliet tries to find out just what is going on, and gets embroiled in events beyond her control. It is impossible to tell if people are who they claim to be (is the pesky assistant a spy?); whether a double agent is actually a triple agent, and why she is being targeted for her actions during the War, which were, after all not of her own choosing, and were meant to be for the benefit of her country.

Transcription is a wonderful book, based on some true characters and events, about how multiple identities, crime, punishment, the conscience and, of course, the political choices people make, trace the course of their lives. It reads like a spy thriller, but sprinkled with wry British humour and ruminations on what constitutes patriotism. Poor Juliet’s love for Perry brings the pages some of its funniest scenes and lines; like when he takes her on what she believes is a date, but turns out to be a hilariously unromantic outing.

Juliet Armstrong, caught though she is in the web of history, is a girl for all times— intelligent, intrepid, and calm in a crisis. This novel is begging to be turned into a movie.

Transcription

By Kate Atkinson

Publisher: Doubleday

Pages: 352