New
York State Of Mind
Garth
Risk Hallberg’s debut novel, City on Fire is a long, ode to New York, following many
strands with characters lost and hopeless in the city, where, like in any
megapolis, the rich get richer climbing the scaffolding of the poor. Those who
cannot fit in, find ways to self-destruct.
The
novel is set between
Christmas 1976 and 13 July 1977, when New York suffered a blackout. But before
that a whole lot of characters have their lives intersecting without their
being aware of it. Though there is no clear protagonist, the man at the core of
the sprawling book covering swanky highrises and filthy squats, is William Stuart
Althrop Hamilton-Sweeny III, scion of the country’s richest family, who wants
none of the wealth or power his clan has accrued, mostly by foul means and
spews his rage on canvases in a hidden studio. His father has married a social
climber after the death of his wife, and her “Demon Brother” Amory Gould wrenches
control of the empire—a small, white-haired man “plugged into every network you
can think of, public and private… There’s no manipulation he isn’t capable of.”
The
event that loosely binds all the strands together, is the apparently random
shooting of a young woman at Central Park. William’s sister Regan, breaking up
with her unfaithful husband Keith has problems of the typical single mother. It
is Keith’s young girlfriend who is shot,; the victim, Sam, is found by
William’s boyfriend, a teacher and aspiring writer, Mercer Goodman. Sam was involved with a punk band and her
best friend Charlie (“a timorous weed sprouting from his combat boots” ) is
drawn into that drug-fuelled hell of men like Nicky Chaos, Sol Grungy and a
female groupie called Sewer Girl, who believe they are revolutionaries in a class
war.
A
polio-afflicted cop, a Vietnamese girl, her Austrian boss, an Italian fireworks
maker, a journalist and many other are tossed into the rich and spicy cauldron
of stories that whets the appetite of the reader and keeps at it over 944 pages
of often dense prose -- have a dictionary handy, Hallberg never uses a simple
word when a difficult one can be found.
It
is not easy to describe the plot of this ambitious novel, because it contains
many novels in its belly, including that maze-like whodunit – who shot Sam and
why. Along with this are pages from a handmade fanzine that Sam brought out, a
letter from a father to his son, transcripts of radio broadcasts, and other
devices that offer breaks in the bleak narrative.
When
the power outage hit New York—and Hallberg describes as frightening orgy of
looting, arson and anarchy—it actually became the foundation for many real
estate fortunes, when property was snapped up cheap by businessmen who went on
to become real estate tycoons.
This
book, that took Hallberg seven years to write, brings to mind another
definitive New York novel, Tom Wolfe’s Bonfire
of the Vanities, but this one is humorless and solemn—not a satire, but a
meticulous word capture of an age that is recent enough to remind readers
familiar with New York of the time of racism, unemployment, urban decay,
youthful rebellion; it sounds like any city, today that has grown without any
thought for the underprivileged. And rebellions have been doused effectively by
consumerism.
City On
Fire
By Garth Risk Hallberg
Published by Alfred A. Knopf
Pages: 944
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